In episode 10, we find Noah and Joanne gearing up for a bat mitzvah. Joanne pretends to feel sick, worried that Bina’s curse from the previous episode might ruin everything. Despite her concerns, she keeps this from Noah and confides in her friends, questioning whether to convert to Judaism.
Sasha talks to Noah, voicing her fears about his conversion talk, while Joanne grapples with her relationship with her sister Morgan. Tensions rise as Sasha reveals the truth about Rebecca and Morgan, leading to Joanne reluctantly apologizing to her sister. In a dramatic twist, they both decide to crash the bat mitzvah in outrageous outfits, making the day about themselves, even though it’s supposed to celebrate Miriam.

As the day unfolds, Joanne expresses her desire to be part of Noah’s world and considers converting to Judaism. However, she later confronts Rebecca, who emphasizes the pressures that come with such a decision.
This conversation forces Joanne to reconsider her choice, ultimately leading her to admit to Noah that she’s unsure about converting. The episode concludes with Noah declaring his love for her, complicating their relationship. When Joanne leaves, she discovers Noah waiting for her after her bus ride, leading to a bittersweet resolution as they choose each other.
The finale captures the intricacies of love and identity, especially through Joanne’s struggle with the weight of conversion. Her emotional journey feels genuine as she navigates the pressures of expectation from family and community. The chemistry between her and Noah is compelling, providing a strong backbone for the episode.
However, while the episode has its poignant moments, it disappointingly leaves several plot points unresolved, particularly the podcast subplot, which feels entirely abandoned. This lack of closure leaves us yearning for more depth and resolution.

Nobody Wants This is a charming yet shallow romcom series on Netflix, starring Kristen Bell and Adam Brody as Joanne and Noah. Their undeniable chemistry is the show’s backbone, offering relatable moments that capture the quirks of modern relationships. However, despite these engaging interactions, the series lacks significant depth, leaving us wanting more.
While the premise introduces intriguing themes—like Joanne’s potential conversion to Judaism and her podcast on relationships—these plot points feel underexplored. Conflicts often resolve too easily, resulting in a breezy, stakes-free experience.

Though the series offers some laugh-out-loud moments and enjoyable banter, it ultimately fails to deliver the emotional weight and nuance that would make it memorable.
In the end, I’d rate it a 3.5/5 — an easy watch that’s fun but leaves us craving a richer narrative. Here’s hoping a second season can explore these characters and their conflicts in more depth!