Ratings: 4/5
Punjabi films consist of actors from Pakistan and feature Muslim characters in their films, highlighting the communal harmony that exists in the Punjab. Through the journey of its protagonist, Shahkot is an important reminder that to like thy neighbour does no longer dilute one’s love for one’s country in any way. Overall, the movie deserves a rating of 4 out of 5 stars.

Plot:
The town of Shahkot in Punjab marks one of the many intersections between India and Pakistan, nations with a shared history which have vacillated between hatred and amity, with the former triumphing lmpre than the latter. Written and directed by Rajiv Dhingra, and starring Guru Randhawa, Isha Talwar and Raj Babbar, the Punjabi-language romance drama Shahkot (2024) explores the theme of pass-border ties, offering a narrative that transcends countrywide limitations.
Iqbal (Guru Randhawa) and Sharafat (Gurshabad Singh) meet while trying to sneak out to foreign lands in their respective countries. When Iqbal is caught in Pakistan, he is mistaken to be from Shahkot, Pakistan, and starts finding a way to get back home and prevent the police. In doing so, he starts running in Abbaji’s (Raj Babbar) home, a flesh presser whose clout keeps Iqbal from being detected.
His daughter Marvi Cheema (Isha Talwar) takes a liking to Iqbal, however her father is prepared to get her married to Nihaal. Iqbal is torn among doing the right thing and searching out for his own pursuits. However, when Abbaji decides to get Marvi married to Iqbal, matters get complicated and Iqbal determines what to do.

Review:
Several times in Shahkot resonate with the bigger message of amity among the two countries. The cinematography is a highlight of the film, with stunning visuals of Kashmir. Guru Randhawa’s gentle, mellifluous voice is properly suitable to the poetic songs with melodic songs.
Veteran actor Raj Babbar, in the position of Iqbal’s father, provides gravitas to the movie, symbolizing the older generation’s attachment to the land and their aversion to the idea of their children leaving domestic
Guru Randhawa, in his first movie, shines as a romantic lead. His overall performance is both raw and heartfelt, showcasing his ability to paint vulnerability without problems. Isha Talwar, making her debut inside the Punjabi film industry, also grants a powerful overall performance. Her chemistry with Randhawa is commendable, and collectively, they breathe existence into a poignant yet incomplete love tale.
Movie shared language, lifestyle, history and those is highlighted because the love among Iqbal and Marvi recognises no borders within the film.The situation count number of Shahkot is a ambitious separately when the relations among the 2 nations seem to be at an all-time low.